Ellie Wiesels The Night

Sunday, February 27, 2022 10:33:26 AM

Ellie Wiesels The Night

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Night Chapter 1

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Quote: Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the little faces of the children, whose bodies I saw turned into wreaths of smoke beneath a silent blue sky. Analysis: As Eliezer arrives at Auschwitz he is greeted by his first selection.

He and his father follow the line that passes a pit of burning babies. It is difficult for even the most hardened reader not to wince at this passage; it stands out as the most horrible atrocity in a chronicle of horrible atrocities. Never shall I forget that nocturnal silence which deprived me, for all eternity, of the desire to live. Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself.

This section of the passage highlights another major theme of the novel—the struggle to maintain faith in a world full of evil. Quote: One day I was able to get up, after gathering all my strength. Wiesel was a Romanian-born Jew whose home town of Sighet was occupied by the Hungarians for most of the second world war. In May , all the Jews in the area were forced into cattle wagons and transported to Auschwitz. The concentration camp there shocks with its brutality and indifference to life, and to visit Auschwitz II-Birkenau — where each of the four crematoria attended to the daily slaughter of several thousand Jews — is to witness the void that remains when man abandons all morality.

It is a scene of apocalyptic proportions: grotesque brick chimneys point their sombre fingers to the heavens, whilst all that remains of the majority of the wooden barracks are their ruined foundations. The rubble of a crematorium cowers under the weight of its own atrocities, and a brittle wind scours the air. The anguish of the past is still snagged on the barbed wire, and a terrible misery stagnates over the camp, its spores infiltrating the hearts of visitors in the 21st century.

The desolation is overwhelming. A person's name is subliminally bound up in the fabric of their existence: it tethers them to the past and anticipates their future remembrance. When seeking to expunge every vestige of Jewish identity from Europe, the Nazis were not content to uproot each and every Jew, rob them of their worldly possessions, shave their hair and clothe them in rags: the ultimate affront to their identity was the replacing of every prisoner's name with a number. This was integral to the Nazis' desire to dehumanise the Jews: a number on a list carries far fewer intimate human connotations than a name.

In Night, Wiesel and the other inmates were "told to roll up our left sleeves and file past the table. The three 'veteran' prisoners, needles in hands, tattooed numbers on our left arms. I became A From then on, I had no other name. Wiesel's prose is quietly measured and economical, for florid exaggeration would not befit this subject. Putting into practice these core principles can help. As Eliezer and his family exited the train at Auschwitz, they were shocked at its existence, causing one of the prisoners to insult them, in disbelief that it was and they had never heard of Auschwitz.

How many otherwise good humans were aware of the existence of concentration camps but chose to remain silent? It is silence which allows the German Third Reich takeover in Europe. Another silence Wiesel emphasizes is the silence of God to allow such atrocities to occur. Wiesel counsels his readers to not be silent witnesses to hate. Wiesel has maintained his vigilance against hatred and inhumanity through the Elie Wiesel foundation for humanity. Throughout the narrative, Eliezer answers the question by asserting his God is dead.

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