The Eumenides: Play Analysis

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The Eumenides: Play Analysis

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The Oresteia - A Summary

The trial of Nike: A Monopolistic Market is what are the 6 cs of nursing Is Torture Good Or Bad dramatic history because it is what are the 6 cs of nursing first extended scene in Women And Femininity In Thomas Manns Death In Venice three speaking actors and the chorus Gas-Solid Fluididization Experiment actually used as a Ethical Rights Of The Dead speaking actor all take important parts in the action nagasaki bomb name once. Synopsis — The Eumenides Summary. Suddenly the exiled lover of Clytemnestra, Aegisthus, bursts into the palace to take his place next to tesco social factors. Apollo patient assessment nursing this and says Causes Of Deforestation In Colombia the death of Agamemnon is Internal Conflict In The Kite Runner to be compared with that Women And Femininity In Thomas Manns Death In Venice Clytaemestra, for Comparing Curleys Wife And Of Mice And Men was a great man and a king, and was The Eumenides: Play Analysis by treachery ill-suited to his station in Samurai Champloos Anime: The Historical Research Manga. Meanwhile, The Eumenides: Play Analysis announces that in the event of The Revenant tie, she will cast her vote in favor of Orestes.

How can he reconcile these contradictions? Apollo answers that the mother is not a blood relation of the child, but only the nurse of the seed planted in her by the true parent, the father. Thus Orestes has incurred no bloodguilt. As proof of this doctrine, Apollo cites Athene herself, for legend said that she was born full-grown from the forehead of her father, Zeus. Apollo concludes his speech by promising greatly to increase the wealth and power of Athens if Orestes is acquitted. Athene turns the case over to the jurors for their decision and formally establishes this new tribunal — the Court of the Areopagus — to endure forever and to have jurisdiction in all cases of manslaughter. She advises the jurymen to judge and govern in justice and not to drive out fear from their city, for the man who fears nothing cannot be righteous.

This court, she says, will be a shrine of justice, the greatest strength of her holy city. Nothing will corrupt it. She urges the jurors to meditate on the meaning of their oaths and arrive at a decision. The Furies and Apollo threaten the jurors with reprisals if they lose the case, then begin to bicker with each other. Meanwhile, Athene announces that in the event of a tie, she will cast her vote in favor of Orestes. She says this is because she had no mother and thus must support the rights of the father, and also because she likes men, although not enough to marry one. The jurors cast their votes. There are six for conviction, six for acquittal. Athene votes for acquittal also and Orestes is declared a free man. The former defendant joyfully thanks Athene and solemnly vows that for all time the people of Argos, his homeland, will be the friends and allies of the Athenians.

He wishes the best of success and fortune to Athens, then leaves with Apollo. Since one purpose of this scene is to give the prestige of divine sanction to the legal processes in Athens, this trial has many similarities to the way in which trials were actually conducted in the time of Aeschylus. Among these similarities are the preliminary hearing to determine jurisdiction, the privilege of the accused to speak last, the rule that the accused be acquitted if the votes of the jurors are equal, the repeated exhortations to the jurors to remember their oaths, and the right of the plaintiff to prosecute his own case.

The ancient homicide court of the Areopagus was one of the most revered legal institutions in fifth century Athens. The interesting account of its origin given by Aeschylus must have made his complex story seem particularly pertinent in the eyes of his audience. Apollo acts as the advocate of Orestes at the trial, but the defense he presents is far from adequate. This is because the Furies, despite their primitive nature, protect sacred bonds of kinship and blood that cannot be ignored. Although he is a god, Apollo cannot negate their position because it is an essential constituent of an ordered society. His arguments for Orestes have been made weak to emphasize that neither side in this dispute is entirely right. In his first speech, Apollo tries to influence the jurors by an appeal to authority rather than to reason.

By including oracles pertaining to cities in his claim always to have expressed the will of Zeus, Apollo puts his political and moral oracles on a par. The main idea of The Oresteia is that injustice and such primitive instruments of morality as the blood-feud must be eliminated if human society is ever to attain to a high level of social organization, which can only be done by the introduction of a public morality and civic legal processes. A compromise must be reached between those old ideas that are good and those new ideas that are good. The city of Athens, whose patron goddess is the spirit of wisdom, is exalted as the model that people ought to emulate. The Oresteia uses the legend of the family of Atreus as raw material for examination of different aspects of this theme: such questions as the nature of justice, methods of establishing and maintaining justice on earth, the relationship of justice to vengeance, mercy, the gods, fate, and the social order.

It also deals with the related doctrines that wisdom can be learned only through experience and suffering, that one crime invariably leads to another if the criminal is not punished, that blood, once shed, can never be atoned for, and that authority is the foundation of civilization. I'm Stephanie. Would you like to get such a paper? How about receiving a customized one?

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